The Critics Choice Association (CCA) has unveiled the winners of the fifth annual Critics Choice Documentary Awards, which recognize the year’s finest achievements in documentaries released in theaters, on TV and on major digital platforms, as determined by the voting of qualified CCA members.
Dick Johnson is Dead takes home the most prestigious award for Best Documentary Feature as well as Best Director for Kirsten Johnson.
My Octopus Teacher wins the awards for Best Cinematography and Best Science/Nature Documentary.
“We couldn’t be more excited about being able to celebrate such a diverse group of films and filmmakers and subjects this year of all years, on the fifth occasion of the CCDAs, and with 2020 being what it is,” said Christopher Campbell, President of the Critics Choice Association Documentary Branch. “The world needs this variety of storytelling now more than ever, and all of these documentaries moved us in unique ways. We are proud that we could still support these films and share the best of the best with nonfiction fans. Our only regret is that we couldn’t do so while also honoring the talented artists and their incredible work in person.”
Though this year’s gala event was not held in person due to the ongoing pandemic, special acceptance videos from each of the winners can be found by clicking their links below.
To view ALL of the acceptance videos, please click HERE.
To learn more about the Critics Choice Documentary Awards, see the full list of nominees, and all of the winner acceptance speeches, visit the Critics Choice Association website.
The winners of the fifth annual Critics Choice Documentary Awards are:
BEST DOCUMENTARY FEATURE
Dick Johnson is Dead (Netflix)
BEST DIRECTOR
Kirsten Johnson, Dick Johnson is Dead (Netflix)
BEST FIRST DOCUMENTARY FEATURE
Melissa Haizlip, Mr. SOUL! (Shoes in the Bed Productions)
BEST CINEMATOGRAPHY
Roger Horrocks, My Octopus Teacher (Netflix)
BEST EDITING
Lindy Jankura, Alexis Johnson and Alex Keipper, Totally Under Control (Neon)
BEST SCORE
Marco Beltrami, Brandon Roberts and Buck Sanders, The Way I See It (Focus Features)
BEST NARRATION
David Attenborough: A Life on Our Planet (Netflix)
David Attenborough, Narrator
David Attenborough, Writer
BEST ARCHIVAL DOCUMENTARY
MLK/FBI (Field of Vision/IFC Films)
BEST HISTORICAL/BIOGRAPHICAL DOCUMENTARY
John Lewis: Good Trouble (Magnolia Pictures/Participant)
BEST MUSIC DOCUMENTARY (TIE)
Beastie Boys Story (Apple)
The Go-Go’s (Showtime)
BEST POLITICAL DOCUMENTARY
Boys State (Apple)
BEST SCIENCE/NATURE DOCUMENTARY
My Octopus Teacher (Netflix)
BEST SPORTS DOCUMENTARY (TIE)
Ali & Cavett: The Tale of the Tapes (HBO)
Athlete A (Netflix)
BEST SHORT DOCUMENTARY
St. Louis Superman (MTV Documentary Films)
(Directors and Producers: Sami Khan and Smriti Mundhra. Producer: Poh Si Teng)
MOST COMPELLING LIVING SUBJECTS OF A DOCUMENTARY (HONOR)
Dr. Rick Bright – Totally Under Control (Neon)
Steven Garza – Boys State (Apple)
The Go-Go’s – The Go-Go’s (Showtime)
Judith Heumann – Crip Camp: A Disability Revolution (Netflix)
Dick Johnson – Dick Johnson is Dead (Netflix)
Maggie Nichols, Rachael Denhollander, Jamie Dantzscher – Athlete A (Netflix)
Fox Rich – Time (Amazon)
Pete Souza – The Way I See It (Focus Features)
Taylor Swift – Miss Americana (Netflix)
Greta Thunberg – I Am Greta (Hulu)
About CRITICS CHOICE AWARDS
The Critics Choice Documentary Awards are an off-shoot of The Critics Choice Awards, which are bestowed annually by the CCA to honor the finest in cinematic and televised/streaming achievement. Historically, the Critics Choice Awards are the most-accurate predictor of the Academy Award nominations.
The 26th annual Critics Choice Awards will air LIVE on The CW Network on Sunday, March 7, 2021, with acclaimed film, television, and stage star Taye Diggs returning to host for his third consecutive time. The show will continue its combined Film and Television awards format, honoring the finest in both cinematic and televised/streaming achievement.
About CRITICS CHOICE ASSOCIATION (CCA)
The Critics Choice Association is the largest critics organization in the United States and Canada, representing more than 400 television, radio and online critics and entertainment reporters. It was organized last year with the formal merger of the Broadcast Film Critics Association and the Broadcast Television Journalists Association, recognizing the blurring of the distinctions between film, television, and streaming content. For more information, visit: www.CriticsChoice.com.
