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CAJUN NIGHTS AND THE CHARACTERS WITHIN:
THE MANY LIVES OF A TV SERIES THAT NEVER WAS

LIFE #1

Cajun Nights was my first novel featuring New Orleans medical examiner, Andy Broussard, and his suicide/death investigator, Kit Franklyn.  A few weeks after the book was published, I got a call from my agent with the surprising news that, “There’s been a flurry of movie and TV interest in your book.”  I’d never considered that such a thing was possible. So that was one of the best phone calls I ever had.

Subsequently, a production company headed by the former director of programming at CBS took an option on the series, planning to shape it into a TV show.  As perhaps some of you know, this phase of things is known as “development hell”, because it takes a very long time to make anything happen. So a year went by with no news.  I figure, okay, the thing is dead.  But, the producers renewed their option for another year, which meant I got paid again.  It wasn’t a lot of money, but with that check, I’d made more money from the two option years than the advance I was given on the book by the publisher. 

So more time goes by with no news.  Now, I’m not even thinking about it anymore. Then, while I was attending a scientific meeting in Dallas, I got a call from the agent in Hollywood who was handling the dramatic rights.  CBS had agreed to pay for a pilot screenplay. I wasn’t sure what that meant, but if this guy had tracked me down in Dallas just to tell me that, it must be a big deal.  And guess what… I got another check as an advance on the screenplay even though I wasn’t gonna write it.  I was beginning to love the agent who created that contract.

They chose as a writer someone who’d had several movies produced.  That may seem like something not worth mentioning, but I’d read an article once that said it was possible to have a career as a screenwriter and never have anything produced.  (Yeah, I don’t quite get that either, but it sure seemed like the writer we had, was the better kind.) With her experience and success, I was sure we’d get a great screenplay.

A few months later, a package arrives in the mail.  IT’S THE SCREENPLAY.  I’m so excited, I quickly skim the enclosed letter from the producers: “Read this over and tell us three things you don’t like about it.”  That’s ridiculous, I’m gonna love it.  After all, it was written by a pro.

Well, I hated all of it.  The writer didn’t seem to “get” the relationship between Andy and Kit.  I couldn’t believe it.  The books show that non-romantic love is possible between an unrelated man and woman of greatly differing ages. Though he can’t admit it, Broussard loves Kit like the daughter he never had.  Kit loves Broussard like a father, even though she has a father.  How do I boil all the things I hate down to just three items? Somehow I manage and send my reply back.

As it turned out, the producers didn’t really care about any of my thoughts.  Was I upset?  Not really, because I figured they know TV, I don’t.  And… surprise, when they gave the script to CBS, I got another check.  Now I definitely love my agent.

The producers are sure the script will be approved and we’ll soon be shooting a pilot.  They invite me to watch them film in New Orleans.  They say they’ll even find a bit part for me.  They predict that the series will run for ten years. And they should know. Their show, Cagney and Lacey, ran for seven seasons. Now I’m excited. 

But… later, I get another call.  CBS didn’t like the script. And they didn’t want to see a rewrite with the same story. The producers asked me if I had any ideas.  The screenplay was based on the second book in the series. When I got this call I was sitting at my desk looking at the rough draft of book number three.  I pitched them the story and they said, “Send us a copy by overnight mail.”  This was back before manuscripts could be sent by e-mail. (I know, I can hardly remember those days myself.)

So another screenplay was written, which didn’t fare any better than the first. Thus life #1 


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